Category Archives: Dystopia

Growth EP and the bonus track!

Ijumaa_is

Contextual Essay:

Concept

Growth (Deluxe) is a musical project that mostly explores spiritual aspects of love, peace and happiness, while briefly, in a bonus song, touching on our material and philosophical relationship with technology. I want to invite the listener to grow as an individual, and inspire them to progress with meaning and be happy. By impacting one person, in consequence a ripple effect could occur for 10, 15 or 20 years. Imagine the inspiration of one human to change themselves, inspiring someone else!

Methodology

The project is F.I.S.T, (fast, inexpensive, simple and tiny). It was put together by using free recording software and a relatively cheap Blue Yeti microphone. I recorded the Whole project at home so there was no paid for studio time. I did all the editing and mastering on each track. To post my songs, I used Sound cloud, a free platform for artists.

Research

The…

View original post 446 more words

Tim Dalton – Live Tweeting Blog

Well, wow, just wow. The last few weeks have been a complete blur of work, assessments and of course, live tweeting as well. Over the course of the past few weeks I have seen a number of new movies because of BCM325, and I’m so happy that I got the chance to see them. Seeing these movies in class however, I had to critically tweet about each one, discussing the underlying themes, content, setting, and a number of other different aspects each film had to offer. In this blog post I am going to be going through and analysing my most prominent tweets from each week as well as the discussions that formed between myself and my classmates. As of every week I try to find some merchandise I can post to stay within the live tweeting guidelines and at the end of the session it would have been weird if I didn’t find or post anything relating to merchandise

IRobot

Week eight was the screening of IRobot, a futuristic action movie set in 2035. The movie itself poses questions about how we classify our own humanity compared to that of a machine, robot or A.I. The particular thread I am referencing has several different conversations about human traits, humanity and the ethics of putting feelings into machines and letting them evolve. We also talk about the different applications of futuristic robots, for example their use in modern wars.

Over the course of the session I have been trying to improve my live tweeting and just tweeting in general and I really think that this week shows that I have come a long way from when I first started the subject. In my live tweets I also like to become very critical of some of the aspects of the movie, for example I noticed that in a lot of the films we had watched in class had a very dystopian view that places technology right at the centre of all the problems facing mankind.

Robot and Frank

Week nine was the screening of Robot and Frank I believe this was the week we decided to go with a different film rather than what was stated in the outline. But I’m genuinely glad we screened robot and frank, it was a thought provoking and an unexpected movie. Before the class I had never heard of or seen Robot and frank, I was flying blind. The movie depicted an older gentleman that was beginning to show signs of dementia, as a result his son buys and gives him a robotic carer. The film challenged what people thought about technology and the usual themes of distrust running through similar films.

Instead the film showed the slow progression of frank completely distrusting the robot, to the robot becoming his friend and companion and even in the end not wanting to give him up to save his life. In the seminar we discussed the implications of advancing technology on daily life and how we think it will continue to advance. The robot in the movie was actually based off a japan design which as it so happens is an advancing project. For the most part the screening of robot and frank consisted of myself and my classmates discussing the different stance and approach the movie took to technology and how it impacts mankind.

Marjorie Prime

Week ten was the screening of a very emotional and yet another unexpected movie Marjorie Prime. The movie proposed the idea of having an advanced hologram of oneself after they have passed away. Obviously, you can already see that the topic of the movie created some really philosophical discussions around ethics, and other applications of the technology itself. The technology in the movie, raises concerns and questions about intellectual property and copy write laws. The holograms seen in Marjorie Prime are similar to a subscription, one person in the family subscribes and the rest of the family are able to become a hologram after they pass away. In an extensive thread we discussed the cultural backlash of such an advanced hologram. This week’s live tweeting was a very intense and philosophical debate about whether any of us would want to be a hologram. A critical look at my own tweeting this week leads to me to say that I had some extremely deep discussions surrounding the legal grey area this technology would fall under and specifically if it would result in the technology being made illegal and whether or not people would still use it regardless of whether it is legal or not.

blade Runner 2049

The most recent remake of Blade Runner was a fitting screening seeing as we watched the original in class a few weeks beforehand. In this screening the most commonly talked about aspect of the film was how it paid homage to its original but still paving its own way and creating its own legacy. My tweets for this screening mostly focused on the success and how the movie was made and received with modern audiences. However, there were some aspects of the film which were interesting, such as the depiction of very conservative and traditional views on women’s role in the household in the form of a hologram as well as a holograms ability to feel emotions. This movie sparked a lot of debates and conversations about the ethics of putting emotions into machines and holograms.

The Matrix

The final screening for this session was the matrix. I grew up loving this movie and was all too happy to watch it in class. This particular movie was interesting because it actually made us wonder, yet again, if it is possible for A.I to take over the planet. My contribution to this week’s live tweeting was through extensive threads and discussions about whether or not this world could become a reality. Another thread I was a part of during this seminar was discussing whether or not we would choose to be aware if we were in a simulation and what we would do if we were aware of such a situation. Overall throughout the session I definitely believe that I have become a little better at live tweeting and discussing the topics and ideas that these movies are presenting.

Tim.

NEW IDEAS! EXCITED! (BETA)

 

Screenshots of feedback outside class:

FEEDBACKScreen Shot 2019-03-29 at 9.06.20 pm

Ijumaa_is

My project is called ‘Growth.’ It is an EP that considers the future in 10 – 20 years’ time. I hope to influence the cycle of negative energy that we are currently digesting. The world needs to learn to love and compromise rather than destroy. I have researched the history of performance in Ancient Greece and how music frequency can be engineered to create calm and peacefulness. It is my hope that through the combined effort of my performance, message and frequency that you are all inspired to live and impact positively however you can. I love you all beautiful souls!

WORKING PROTOTYPE!!!

View original post

Pitch Comments

Ijumaa_is

Screen Shot 2019-04-02 at 1.34.53 pm.png

I don’t have a link to this comment because it is awating moderation and won’t show up normally. Jessica’s Pitch was about the future of online media, through short videos she wants to educate us on the current state of online media, and the overall space of online media in terms of content creation and trends.

My comment set out to ask her how she could veiw her own place in the space of online media and asking how could she mould the future of the online world. As a filmaker/Youtuber I gave a few tips about making her informative videos engaging.

I think my comment was applicable and considerate towards her interests, suggesting another level of perspective into her work (through the lense of the self). Through inviting Jessica to consider how she may edit her videos, I am expressing a desire to see her do well and make…

View original post 230 more words

Critical analysis of live tweets

 

Critical analysis of live tweets

 

https://twitter.com/Ijumaa_is

I have enjoyed engaging with the BCM325 hashtag and having conversations that get me to think about the future and the current implications of technology. Following are some of those interactions and Tweets that most resonated with my fellow BCM325 classmates. It only seems logical to start with Metropolis!

Screen Shot 2019-03-28 at 12.37.40 pm

This Tweet was one of my more intelligent ones. I feel a little sense of achievement when I get re-tweeted, it is a sure way of knowing if something you said truly resonated with someone or impressed them. To me this was an interesting way to perceive the scene, I think in this example I engaged with the movie thoughtfully and intellectually.

Screen Shot 2019-03-28 at 12.39.44 pm.png

Unfortunately, my comment did not develop into a conversation. Travis made an interesting point which stood out to me, because at the time I was in that realm of thought. I wanted to add some relate some real-world knowledge to his literal statement about what was occurring in the movie, adding another layer.

Screen Shot 2019-03-28 at 12.40.35 pm.png

Over the few movies we have watched there are several comedic moments. The trajectory of my tweets in every viewing starts off serious and then at some point will branch off into a sort of unrelated conversation that stems from something about the movie. I think it’s nice to engage with people in a more light-hearted manner sometimes, you don’t always have to get deep and dark and philosophical.

Screen Shot 2019-03-28 at 12.37.55 pm.png

I am very proud of this Tweet, there were few moments in the movie where I had a perception that was this deep. I really appreciated the two re-tweets as it made me feel validation in what I was saying, the feeling that some understood. Again, I believe this was a moment of true engagement with the movie and the minds of others.

https://twitter.com/Ijumaa_is/status/1103421503314354177

I have provided a link for this tweet as the thread is too big to screenshot. It is another light-hearted post making a meme of a scene. I enjoyed the comment section on this tweet because it got a few humorous contributions and a large amount of like (well from what I am used to anyway). I noticed through experimenting with styles of tweets that humour is a great way to encourage engagement with what you have said, I can only hope to learn how to craft punchy tweets, could it be an artistic endeavour?

Moving on we arrive at 2001: A Space Odyssey

https://twitter.com/FAMOUSGEORGIE_/status/1105953430344851456

This is another example of a conversation that branched off from the topic of the film but stemmed from it. I still think that it was a good engagement, Georgie related her post to food and we related based on how hungry we were.

Screen Shot 2019-03-28 at 12.35.54 pm.png

Another post that was re-tweeted! I was glad to see how many people liked the score!

Screen Shot 2019-03-28 at 12.34.35 pm.png

Westworld.

Screen Shot 2019-03-28 at 12.32.07 pm.png

This Tweet stuck out to me because it was a smart perspective that invited engagement with a question. So, I decided to flesh out his perspective.

Blade Runner:

Screen Shot 2019-04-04 at 2.02.25 pm.png

Simply to show my engagement. Humorous.

 

Screen Shot 2019-03-28 at 12.24.40 pm.png

Screen Shot 2019-03-28 at 12.27.47 pm

Screen Shot 2019-03-28 at 12.26.58 pm

Screen Shot 2019-04-04 at 2.04.09 pm.png

Another retweet, this was a great point and I respected it.

Screen Shot 2019-03-28 at 12.26.10 pmScreen Shot 2019-03-28 at 12.25.54 pm

https://twitter.com/ItsJoshCrawley/status/1111018532752375814

Overall, I think I have engaged to the best of my current abilities, however, I hope to improve!

Ghost In The Shell:

A cool conversation spawned from this tweet. We discussed programming in the context of human lives and to what extent are we programmed.

Screen Shot 2019-04-04 at 1.57.05 pm.png

I retweeted Chris’ post because I resonated with Motoko’s refusal to be defined by her shell. It got me thinking about how as humans we are also defined by our shell, and the need/want to transcend our ridgid definitions is a very human problem, yet we were seeing this in a cyborg, very interesting.

 

D.A Pitch – ‘Growth’

 

 

In short my D.A is a music project titled, ‘Growth.’ The intetion of the D.A is to consider the future of the planet and humanity. I attempt to represent what I would like to see in the future informed by the now (my current state of being). I want to see the growth of a better world, full of peace, love and compassion. The aim of the EP is to inspire the youth to band together to bring about change and making them realise that if they look within themselves, they have all the power they could ask for!

Here is a link to my D.A, namely my ‘Growth’ EP. I would like the feedback to be on soundcloud, but you are welcome to comment feedback on the blog post!

https://soundcloud.com/ijumaa_is/sets/growth

Research:


http://www.ancientgreece.com/s/Theatre/
https://en.wikipedia.org/wiki/Queen_live_performances

The politics and ideologies of data visualisation: A sociological perspective

Cybercultural Research Project: Second Progress Report

Since my first progress account I have renamed my topic, The politics and ideologies of data visualisation: A sociological perspective. The following is an updated outline that will guide the production of a research report or digital artefact.

Introductory Remarks

I will employ data visualisation to mean ‘the visual representation of statistical and other types of numeric and non‑numeric data through the use of static or interactive pictures and graphics.’  For now, I will define cyberculture simply and according to Mirriam Webster. I will also distinguish data from information in order to lay groundwork for the introduction of emergent critical perspectives associated with the politics and ideologies of data visualisation (abbrev. dataviz). For example, the ideological work that data visualisations do introduces dataviz conventions as functioning to produce a sense of ‘objectivity, transparency and facticity.’  In reality, graphics may be value-laden, ambiguous and fictitious (See also: Seeing Data 2016).  The introductory paragraphs will also note broad relevance of the topic, defining the concepts of information saturation (or overload), ‘data explosion’ and data science.

A sociologist in training, I will overview abstracts and biographies of a recent sociological conference to underscore the progress of Sociology in recent years, as these have been significant guides in my research. I will cite Healy and Moody’s view of Sociology as lagging in the use of visual tools.  This research will note the historical association of social work with the development and implementation of national policy circa the welfare state in 1946 to present. The Australian Commonwealth has exercised control over the direction of national social policy since the founding of the Commonwealth Research Bureau in 1944 (Morning Bulletin 1947). The privatization of social services will be raised as a related issue of concern in neoliberal contexts like Australia.

The four arguments introduced in my first progress report will be summarized for my audience and continue to guide topic development.

Research Body

Accordingly, I will exemplify how both past inventions and futuristic thinking have shaped the development of data visualisation technologies and practices. Examples of what science fiction has technologically foreseen will be provided in reference to a presentation by Jeffrey Heer titled A Brief History of Data Visualization.  This source will be coupled with a Milestones Tour to provide an overview of current DV trends and research areas. Augmented reality (AR) will be exemplified, envisioned in 1968 and famously employed in AR animation by Hans Rosling in recent years.

Of what was been culturally foreseen and is of relevance to the topic, I will cite Huff in his ‘prophetic’ reference to GH Wells in How to Lie with Statistics‘Statistical thinking will one day be as necessary for efficient citizenship as the ability to read and write.’ I will also quote Aldous Huxley’s utopiandystopian Brave New Word (1932), in which ‘liberties and individuality’ have been lost ‘in the name of universal stability’ (Shmoop 2016).  This will be an allusion to the implication of social work with national population and fiscal policy targeting ‘illegitimate‘ children during 20th century Australia.

In the second section of the report’s body I will exemplify how governments and bureaucracies have significant authority in the relationship between the user and the computer, aiming questions of cyberculture at the legitimacy of related structures of command.  The following related research into dataviz forms an amended outline of sources extending on my first progress report and is a work in progress:

A glossary of terms will accompany an introduction to an Australian case study detailed in my first progress report. Entries will underscore the prodigious influence of digitally enabled communication, networked computation and media technologies in proliferating issues of related concern, including population trends and curvessocial entropy (see also: Galtung in 1967), exponential growth and singularity.

This case study will critique a dominant discourse and related DV by the Australian Institute of Family Studies, positing national social policy in contemporary cyberspace arenas.  An alternative DV will provide a statistical estimate of an historically marginalised group. Statistical relativity will be discussed and feature David McCandless’ take on the topic.  This work will be emancipatory and state author biases.

Conclusion

The conclusion will summarise identified limits and affordances of our technology infused realities, including: data inadequacies, the need for increased scepticism of data and new hypotheses.