Category Archives: Digital Distribution

Pitch Comments

Ijumaa_is

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I don’t have a link to this comment because it is awating moderation and won’t show up normally. Jessica’s Pitch was about the future of online media, through short videos she wants to educate us on the current state of online media, and the overall space of online media in terms of content creation and trends.

My comment set out to ask her how she could veiw her own place in the space of online media and asking how could she mould the future of the online world. As a filmaker/Youtuber I gave a few tips about making her informative videos engaging.

I think my comment was applicable and considerate towards her interests, suggesting another level of perspective into her work (through the lense of the self). Through inviting Jessica to consider how she may edit her videos, I am expressing a desire to see her do well and make…

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D.A Pitch – ‘Growth’

 

 

In short my D.A is a music project titled, ‘Growth.’ The intetion of the D.A is to consider the future of the planet and humanity. I attempt to represent what I would like to see in the future informed by the now (my current state of being). I want to see the growth of a better world, full of peace, love and compassion. The aim of the EP is to inspire the youth to band together to bring about change and making them realise that if they look within themselves, they have all the power they could ask for!

Here is a link to my D.A, namely my ‘Growth’ EP. I would like the feedback to be on soundcloud, but you are welcome to comment feedback on the blog post!

https://soundcloud.com/ijumaa_is/sets/growth

Research:


http://www.ancientgreece.com/s/Theatre/
https://en.wikipedia.org/wiki/Queen_live_performances

The Rise of Independent Musicians

christhompson42

For my research and artefact projects I am going to investigate how the internet has empowered musicians. While I may also investigate how artists such as photographers also utilise the internet, at this point in my planning, musicians are perfect examples of the rapid expansion of the internet and it’s benefits. The music industry, previously controlled and dominated by record labels, music programs and few artists is now highly accessible by independent artists, covered by a wide range of media and has an extremely saturated market in terms of the range of artists.                   While there are more artists I want to explote, two in particular are Flume and Ta-Ku who both garnered their fame largely through the internet.

From my preliminary research I’ve found several papers relating to the changing industry specifically and I believe I’ll be able to find a…

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Let’s Talk About the CD

November 13, 2015. That was the last time I bought a physical copy of an album. I know it’s not that long ago, but considering the world that we live in today, buying a physical copy is something of the past. But when did it become the norm to stop buying CDs and to start digitally download or stream music? And why do artists still stick with the format of the album?

On August 17, 1982, the first compact disc was manufactured in a Philips factory in Germany. Philips soon joined forces with Sony to develop and perfect the compact disc. Later in the year, the first CDs and CD players were introduced to the masses in Japan with great interest. Two years later, the disc took Europe by storm, with roughly 25 million CDs being produced (“History of the CD” n.d.). With this new musical technology now open to the public, the vinyl was replaced placed on the back burner.

We all know what the CD looks like (or I hope we all do).It’s a polycarbonate plastic disc with a transparent layer only 1.2mm thick. And on that disc there is 80 minutes of playing time (Crawford n.d.). Think about it: with 80 minutes on a CD, that’s about an average of 12 songs per album. And it’s not like artists are releasing albums every six months. It takes time to write, create, and produce. So once an album does get released, loyal fans and consumers want to listen to it right away. The thought of having to go to the store to buy the album barely crosses our minds, especially those of Millennia and Generation Z. Why waste the energy of buying a physical copy when you could be digitally downloading the album and have it in seconds?

My focus is to research how our culture has shaped and re-shaped the way that the consumer has access to music. I will look into the affect the “album” has on not only the listener, but the artist as well. More specifically, I will dig into the digital distribution of music, the importance (or insignificance) of the track list, and the mixtape/playlist relationship. Who knows, maybe the CD will find a way to climb back up the charts with artists like Tyler the Creator and Kendrick Lamar perfecting the album-dependent listening experience.

Resources:

Crawford, Awyn. “The Rise of the Compact Disc.” Museum of Applied Arts & Sciences. Web. 13 Mar. 2016<http://www.powerhousemuseum.com/the80sareback/2011/02/the-rise-of-the-compact-disc/&gt;.

“History of the CD.” Philips Research. Web. 13 Mar. 2016<http://www.research.philips.com/technologies/projects/cd/&gt;.