As outlined in my pitch, for my BCM325 Digital Artefact I will be researching the globalisation of Korean dramas, the effect on the current market and what that means for the future. Through the research on the past, present and with forecasting, I hope to gleam at the future of Korea media culture trends. I hope to show my audience that adaption of other cultures media is not only marketable in our own culture but an alternative to innovation and creation of new content in our own culture.
For the past eight weeks, I have been live tweeting along with my Future Cultures class at UOW enjoying content which related to everything technology, cyberspace and robot. The interactions and conversations that were sparked from these tweets and viewings unpacked discussion on various topics under the hashtag #bcm325.
I seemed to have been writing tweets to engage with contentious topics, however they gain no reaction from my peers. Taking a satirical approach while retaining some intellectual stimulation in my tweets prompted a larger reaction.
The following is a curated summary of my experience within this class with emphasis on the future cultures concepts and ideologies that I have learned throughout this semester so far.
Screenings: ‘Ghost in the Shell’ (1995), Westworld (1973), Johnny Mnemonic (1995), The Matrix (1999), Black Mirror: S2 E1 ‘Be Right Back’ (2013), Robot and Frank (2012), Black Mirror: S3 E6 ‘Hated in the Nation’ (2016) and Blade Runner (1983).
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