So in my last post, I set up my ideas of branding, and started to explore how the concept related to cyberculture. That post was a great foundation leading into the next leg of research: a series of questions about how these brands interact with users, and what the future could also hold.
Cybercultures allows for a great deal of interaction between brand and consumer, but I question who really has the most control? The internet is a great space for open communication, but does that tip the balance of control in the opposite direction to where it has typically been. The lecture on Cyberpunks let me consider this idea, in relation to users who have that power and choose to abuse it – trolls who are interacting with brands for the sole purpose of derailing the brand image. The ‘trollpunk‘ audience hijacks the presence of the brand with the intention to disrupt the hierarchy of power, (Chen 2012) and this is becoming a social norm. Chris’s comments in the wk4 lecture: “[I]n the absence of the body, means people can have powerful emotional responses” (Moore 2016), could also lead into this idea, of having heightened emotional responses. The lack of physical, real time presence means there is this time to plan, curate, and execute never-ending arguments – either to troll, or to respond.
This idea of trolling leads me to consider online presences, and automatic responses, either from brand or consumer. Twitter bots are quick and easy to set up, and could be used for a great number of things, but does this mean that we are heading towards an online social media network of artificial intelligence? If twitter bots are becoming more accessible to create and utilise, and the responses are becoming more realistic, then does the future of online branding lie in a self evolving AI structure with base ideologies that mirror those of the brand, and evolve depending on the audience that interacts with them. Microsoft’s recent attempt resulted in something they were not proud of, however it mirrored the idea of “destabilisation of established order by the development of artificial intelligence” (Moore 2016) as users interacted with the AI account in order to change it from an ‘innocent’ bot modelled after a teenage girl, into a nazi sex bot (Horton 2016). The Barbie brand is also planning on peering into the cyberculture world, incorporating their dolls with AI so that children can have real conversations with the toys, adding a new layer to the identity of both the doll and their brand, creating a new brand presence through each doll as they are interacted with.
Chen, A 2012, Trollpunk is the New Cyberpunk, The World of Today, viewed 30 March 2016, <http://worldoftoday.tumblr.com/post/24514056899/trollpunk-is-the-new-cyberpunk>
Gershgorn, D 2015, Barbie Learns to Chat Using Artificial Intelligence, Australian Popular Science, viewed 30 March 2016, <http://www.popsci.com.au/robots/artificial-intelligence/barbie-learns-to-chat-using-artificial-intelligence,409334>
Horton, H 2016, Microsoft deletes ‘teen girl’ AI after it becomes a Hitler-loving sex robot within 24 hours, The Telegraph, viewed 25 March 2016, <http://www.telegraph.co.uk/technology/2016/03/24/microsofts-teen-girl-ai-turns-into-a-hitler-loving-sex-robot-wit/>
Moore, C 2016, Week Four – Experiencing Cyberculture, Cybercultures Blog, viewed 30 March 2016, <https://cyberculturesblog.wordpress.com/week-four-experiencing-cyberculture/>
Shani, O 2015, From Science Fiction to Reality: The Evolution of Artificial Intelligence, Wired, viewed 30 March 2016, <http://www.wired.com/insights/2015/01/the-evolution-of-artificial-intelligence/>